' “For all the people, demonstrating against Assad was an explosion of cinema. People screaming ‘Freedom! Freedom!’ and filming for the first time,” Mohammed said. “It was a revolution of cinema, of images, of expression.”
But, interestingly, the images he used also come from members of Assad’s military forces. In a clear sign of internal rebellion against the regime, the shocking torture scenes at the start of the film were shot “either by a soldier or a secret service officer,” Mohammed said.'
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